Bernhard Wöstheinrich – Materiaal 061​​​​​​​︱​​​​​​​Live on Galactic Travels™ 2023​



Recorded live to 2-track on WDIY’s Space Music Program ‘Galactic Travels™’ in Bethlehem, PA 18015 on April 13, 2023.

This is the recording of an uninterrupted live performance right out of the studio. The music presented here is the mix just like what was going out to the P.A. that night. The quality of the recording may be slightly compromised accordingly.

The Live-on-Air performance at Bill Fox’ Galactic Travels was the kick-off show for the US tour from April 2023. All other performances will be made available in this series further on.


credits

Mastering: Markus Reuter
Artwork by Christine Kriegerowski (duckwoman.de)

George “G$” Bley: Tour Manager, Driver, Roadie, Merch Magician

Special thanks to Bill Fox

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Live!@EMEAPP: A Strangely Beautiful Stream of Consciousness

The Electronic Music Education and Preservation Project (EMEAPP) is a world-class curated collection of rare vintage electronic instruments. It is a private museum, a critical learning center and a multimedia production studio outside of Philadelphia, Pennsylvania.

It is their charge to preserve these unique resources and make them available to their members and the world. EMEAPP does this through its research projects, creative endeavors, and media programming, enlightening many people along the way.

On April 19, 2023, during my US tour, I was invited to perform at this extraordinary venue. In this video you can follow me on this in-depth musical flow state.



Executive Producer: Mike Hunter
Audio Recording/Mastering: Drew Raison
Videography/Live Switching: Mike Hunter
Production Assistant: Lisa Platow
Video Post: Vince Pupillo Jr.

emeapp.org

Reichenhall – Perpetuum Polygon

This album tells a fictional story; A group of puzzle freaks meet on the so-called Krautenberg (“Krauten Hill”) to hone their self-oscillating inventions. They are pursuing the goal to synchronize their appliances and to combine it into one great polygonic object, which, once started up, keeps being in motion eternally without any further external energy supply.
This object takes its energy from a Brownian ratchet (“Molekulare Ratsche”), an imaginary nano machine that converts thermal energy into mechanical work at the molecular level. This device is being manually operated by Maxwell’s demon.
The result of all these endeavors becomes an ever-growing conglomeration of sound!

credits

Bernhard Wöstheinrich: Sequencer, Keyboards & Synthesizer
Lukas Radiomodul: Loopmachine
Mathieu Sylvestre (SONUS EORUM): Looper and Electronics, Real-time Sound Transformations
Volker Lankow: Percussion and Drones

Edited & produced by Mathieu Sylvestre
Mastering by Markus Reuter

Artwork based on a design by Garry Killian / Freepik
www.freepik.com

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Bernhard Wöstheinrich – Genre

“It is difficult to to break new grounds nowadays. There is a huge amount of young people who now work on Ambient Music, like the Leverage Models, Four Tet or this german guy, Bernhard Wöstheinrich […]” Pete Townshend

Genre, however, sticks out. It is an evocative ambient record that will leave the listener spellbound. Recorded with the intention of being explicit, noisy and at the same time very refined, these six tracks find a dark, and yet playful angle to dub, krautrock, and ambient – like Bill Laswell on Benzos or a Tangerine Dream recorded in an empty space hangar.

The raw material for Genre was recorded in a long day of recording at Horus Studios in Hannover, joined by Markus Reuter. Reuter did not just man the vintage analogue recording deck, but also manipulated the incoming signals in real-time, routing them through a mindblogglingly complex array of guitar pedals. “At the end of the day, I had no idea if it sounded particularly inspired or how much of it was usable,” Wöstheinrich admits.

As it turned out, there were plenty of inspiring moments in those recordings. During weeks of studio work, the tracks were edited and refined into a finished album. Thick ganja clouds are blown over the hypnotic abstract drumless beats. There are long stretches of scratchy soundscapes, bizarre and quirky. Most of all, however, there is a lot of space and listening to be found here.

The song titles picture the intertwining of identities represented by the use of words found in both German and English. However, the words of the song titles have a completely different meaning in each language.

The new music of Genre is to move forward – there is a lot of grid to be found in those sounds, but also featuring a blend of unsettling, haunting melodies, and lush, expansive soundscapes.
It is a audacious statement, carving out its own identity.

It is a music that can feel disorienting at times. But when breaking new grounds, that comes with the territory.


credits

Bernhard Wöstheinrich: Synthesizers, Keyboards, Live-Arrangement

Mixing & editing: Bernhard Wöstheinrich

Produced by Markus Reuter and Bernhard Wöstheinrich

Recorded at Horus Sound Studio, Hanover, Germany, on October 31, 2022.
Recording Engineer: Benjamin Schäfer

Mastering: Markus Reuter

Artwork by Bernhard Wöstheinrich,
From the image ‘Saint John the Baptist’ by Giulio Campagnola, 1505 a. D.

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Bernhard Wöstheinrich – Submerging in a Forgotten Pond

Materiaal Series, Part 060

This session is based on a sample set created from recordings of ponds. These sounds were recorded with a very special microphone, designed to capture all those mysterious sounds found in swamps, pools and smaller lakes. This device is capable of picking up all the scratching, hissing and cracking underwater noises, produced by plants, insects and everything else down there, revealing the secrets that go on right in your back yard.

credits

Bernhard Wöstheinrich – Keyboards, Samplers, Synthesizers and Sequencers

Editing & mixing: Bernhard Wöstheinrich
Mastering: Markus Reuter

Sound recordings with the Aquabeat Hydrophone by and with David Rothenberg

All drawings (cover and video): Christine Kriegerowski
kriegerowski.org

Video by Bernhard Wöstheinrich, additional pond footage by David Rothenberg

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Subscribe now to receive all the new music I create, including all of the back-catalog releases, delivered instantly to you via the Bandcamp app for iOS and Android. You’ll also get access to subscriber-only exclusives.