Category Archives: Works

DiN Records – Fully Comprehensive Graphic Design Support

Unveiling my works from my professional life as a graphic designer in this series of blog posts.

“Right from the outset I wanted the DiN label to have a visual identity not only in its visual content but the way it was designed. Whilst it is all too tempting to do this kind of thing yourself there’s no substitute for what a skilled designer can bring to the table. Bernhard came on board for DiN10 and right up to the latest release numbered at DiN66 he has brought an elegance of design and simplicity of layout that has been exactly what I envisaged for DiN all those years ago in 1999 when I set out on this journey.” – Ian Boddy

The work I carry out for DiN records:
· Illustration
· Logo and Corporate Design
· Layout
· Web Design
· Image Processing
· Pre-Press Handling

Let me know if you’d like to work on a project of yours together.

Book design for Marie Silkeberg’s Damaskus, Atlantis

I would like to unveil more of my works from my professional life as a graphic designer.

I’ve been asked by David Rothenberg, a fellow musician and publisher of Terra Nova Press, to create a design for the book “Damaskus, Atlantis” by Marie Silkeberg.

There were two main goals to attain: first there were the images I had been provided, created from video stills and already processed by the author which were to be made conspicuously visible; secondly the whole design had to fit into the general way the Terra Nova Press books are designed. For the book cover it was the particular challenge to place the text onto the images, which are very rich in contrast. So, no matter where the text goes, it always will cross over very bright and very dark spots. We experimented a lot with various colors in order to have a coherent color palette, but still distinguishable from the background. Retouching and color grading had to be done very cautiously to keep the images in the way they were intended by Marie.

For the book pages the authors script provided not only plain text, but also already obligatory drafts of how the typesetting has to be. But yet there wasn’t any font chosen. The fontset obviously determines letter-spacing, though. Furthermore there was a request of having two types of opposing font families in the design. So, it wasn’t just done with trying out and changing the fonts, but to check if every page’s layout would still fit to guides of Marie’s script. The paper for the book pages was already specified, so the images had to be processed in a way that the print would come out with good contrast and colors on a paper that tends to strongly absorb the paint. In order to recreate the impression of the images as they have on screen, they had to be carefully intensified without exceeding the capabilities of the paper. I was able to fine-tune both the type setting and the image processing together with Marie Silkeberg personally when she came to Berlin. It helped me a lot to understand her ideas and intentions behind this, and to find appropriate technical solutions for her book.

Let me know if you’d like to work on a project of yours together.

The Book is available here: